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佩内洛普·克鲁兹,米莱娜·斯米特,依斯拉尔·埃雷贾德,艾塔娜·桑切斯-希洪,萝西·德·帕尔马,胡丽叶塔·塞拉诺,Daniela,Santiago,爱诺亚·萨娜塔玛蕊,佩德罗·卡萨布兰科,阿德尔法·卡尔沃,Julio,Manrique,Chema,Adeva,Inma,Ochoa,Arantxa,Aranguren,Carmen,Flores
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超清
Ross,O'Hennessy,Luke,Goddard,Aaron,Jeffcoate
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Eszter,Tamás,Gábor,Béla,Attila,Attila
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Tim,John,Dan
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郭嘉艺,姜依,张金阳
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夏尔·贝尔林,让·雷谢夫,芬妮·阿尔丹
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莉奥诺拉·法妮,吕克·米朗德,弗朗西斯科·拉瓦尔,Jole Fierro,何塞·马里亚·普拉达,Lidia Biondi,马克西莫·巴尔韦德,Francesco Impeciati,Luigi De Santis,Carlo Totti,Maria D'Alessandro,Arnaldo Caivano,Diala Caruso,Wolfango Soldati
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戴安·琳恩,莉莉·索博斯基,斯特兰·斯卡斯加德
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德里克·史密斯,卡特里娜·宝登,罗伯·施奈德
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包贝尔,李嘉琦,周大勇,马旭东,王喳喳,孔梓柔,克拉拉,于洋,魏翔,贾冰,杨皓宇,尹正,王迅,常远,文章,王成思,张一鸣,王天放,吕严,张百乔,滕哲,张祐维,德柏
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维杰·拉加文德拉,巴瓦那,库希·拉维
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古瑞特·维斯特拉特,Karlijn Sileghem,罗比·克莱伦,Caroline Stas,Sara De Bosschere,卡塔丽娜·格拉尔茨,Els Deceukelier,Mistral Guidotti,Maya Louisa Sterkendries,菲利克斯·赫勒曼斯,Aminata Demba,塞尔迪·法基·埃利斯,Eva Grijp
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安智浩,安内相,尹宥善
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克里斯汀·库亚斯·托普,埃利奥特·克罗赛特·霍夫,格伦·利斯·迈斯特,佩特琳·阿格,Lena Bondeson,Diêm Camille,Rikke Hagenberg,约恩·霍耶什莱夫,多尔特·回斯特德,Bodil Lassen,Lin Ly,Thomas S?ndergaard,Rikke Westi
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亚历克西斯·曼蒂,拉蒂沃杰·布克维奇,利昂尔·阿贝兰斯基,热雷米·拉厄尔特,奥利维亚·巴特勒密,米基·马诺伊洛维奇,德拉甘·比耶洛格利奇,安妮·塞拉,艾莉莎·拉达科维奇,Ognjen Micovic,Jovan Jovanovic,Maja Campar,塞德里克·阿皮耶托,安娜·布拉戈耶维奇,让-路易·库洛奇,Jean-Baptiste Demarigny,尤里·德雷文舍克,Pierre Fra
“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.