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HD
佩内洛普·克鲁兹,米莱娜·斯米特,依斯拉尔·埃雷贾德,艾塔娜·桑切斯-希洪,萝西·德·帕尔马,胡丽叶塔·塞拉诺,Daniela,Santiago,爱诺亚·萨娜塔玛蕊,佩德罗·卡萨布兰科,阿德尔法·卡尔沃,Julio,Manrique,Chema,Adeva,Inma,Ochoa,Arantxa,Aranguren,Carmen,Flores
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超清
Ross,O'Hennessy,Luke,Goddard,Aaron,Jeffcoate
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HD
Eszter,Tamás,Gábor,Béla,Attila,Attila
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HD
Tim,John,Dan
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HD
郭嘉艺,姜依,张金阳
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HD
夏尔·贝尔林,让·雷谢夫,芬妮·阿尔丹
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更新HD
Vilma Santos,John Lloyd Cruz,Luis Manzano
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高清
,王思钦,郭峻卿,王子墨
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HD
AiNA THE END,松村北斗,黑木华,广濑铃,村上虹郎,粗品,江口洋介,吉濑美智子,松浦祐也,笠原秀幸,Robert Campbell,大塚爱,安藤裕子,铃木庆一,水越惠子,樋口真嗣,奥菜惠,浅田美代子,石井龙也,丰原功补,松本真理香,北村有起哉
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更新中字
费利西亚·特吕松,艾德文·瑞丁,莎拉·拉尔森,埃达·英格薇,妮基·汉斯布莱德,Alva Bratt,Olivia Essén,Maxwell Cunningham,Emil Hedayat,Mustafa Al-Mashhadani
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更新HD
孙洪涛,韩利勇
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更新HD
蒂姆·艾伦,祖德·莱茵霍尔德,艾力克·洛伊德,温迪·古逊,大卫·克朗姆霍茨,拉里·布兰登伯格,玛丽·格罗斯,佩奇·塔马达,彼得·博伊尔,朱迪斯·斯科特,杰恩·伊斯特伍德,梅丽莎·金,布拉德利·温特沃斯,约书亚·萨托克,扎卡里·麦克莱莫尔,杰西·科林斯,大卫·保罗·格罗夫,史蒂夫·维诺维奇,塔比瑟·鲁宾,大卫·斯帕罗,杰克·纽曼,约翰·帕斯昆,弗兰克·维尔克
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高清
Hayden,Hishaw
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更新HD
郭富城,蓝盈莹,王大陆,黄龄,戴军,毛衍七,孙越,范湉湉,肖骁,常海波
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高清
苏利耶·西瓦库马,Lijo,Mol,Jose,Manikandan,Rajisha,Vijayan,普拉卡什·拉贾,Rao,Ramesh,Guru,Somasundaram,M.S.,Bhaskar,V.,Jayaprakash,Sibi,Thomas,Ilavarasu,Jayarao,Sujatha,Sivakumar,Ravi,Venkatraman,Tamizh,Padmapriya
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.